The Duke’s overdrive can handle a lot more treble without becoming strident, which gives you plenty of room to explore picking nuance-an attribute that shines in all three of the Duke of Tone’s drive modes. So, it is not a surprise, perhaps, that in some ways the overdrive mode in the Duke of Tone sounds a little like an aerated TS circuit: scooped in the middle, softened in the high harmonics where the sizzle lives, and allowed to breathe to the point of sounding discernibly more dimensional. The first King of Tone pedal originated in a tone chase that began with a broken TS808 Tube Screamer and detoured through a Marshall Bluesbreaker pedal before arriving-via many significant mutations-at its final destination.
Three Flavors of Smooth, Delicious Chocolate
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